Even better: "When a guy says, 'Oh I fucked all these chicks this week,' there's a high-five and giggling. But when a woman does it and its publicised or she's open about her sexuality or she's free or liberated, it's, 'Oh, she must have a dick.'"
Adapted, courtesy of Jessica - February 25, 2010, at 09:42AM | in Bad-Ass Women, Media, Music, Sex.
MARY J BLIGE-Quote of the Day
"As a child, I never saw a confident woman; I only saw women being abused. That's why I am here... I want every girl and woman who walks through this door to know that she is loved, no matter who is telling her she isn't loved."
-- Mary J. Blige, announcing the opening of the Mary J. Blige Center for Women in her hometown of Yonkers, NY (As Samhita noted last year, Mary founded an organization to empower women in their lives and careers.)
And with that, I think it's time for a little music, no?
Born: January 11, 1971 in New York, NY [The Bronx]
Years Active: 90 's, 00's
Genre: R&B
When her debut album, What's the 411?, hit the street in 1992, critics and fans alike were floored by its powerful combination of modern R&B with an edgy rap sound that glanced off of the pain and grit of Mary J. Blige's Yonkers, NY, childhood. Called alternately the new Chaka Khan or new Aretha Franklin, Blige had little in common stylistically with either of those artists, but like them, she helped adorn soul music with new textures and flavors that inspired a whole generation of musicians. With her blonde hair, self-preserving slouch, and combat boots, Blige was street-tough and beautiful all at once, and the record company execs who profited off of her early releases did little to dispel the bad-girl image that she earned as she stumbled through the dizzying first days of her career. As she exorcised her personal demons and softened her style to include sleek designer clothes, she remained a hero to thousands of girls growing up in the same kinds of rough places she came from. Blige reinvented her career again and again by shedding the bad habits and bad influences that kept her down; by the time her fourth album, Mary, was released in 1999, she had matured into an expressive singer able to put the full power of her voice behind her music, while still reflecting a strong urban style. With her fifth album, No More Drama, it wasn't just Blige's style that shone through the structures set up for her by songwriters and producers, it was her own vision -- spiritual, emotional, personal, and full of wisdom, it reflected an artist who was comfortable with who she was and how far she had come.
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